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Author: CeramicsCoop
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Bella Easton – Winner of Jerwood London Original Print Fair Award
Bella Easton – Winner of Jerwood London Original Print Fair Award
We are very proud to share that artist and printmaker working in ceramics Bella Easton received Jerwood London Original Print Fair Award of £10,000 for the piece of work we helped her to produce. Well done Bella.
You can see the celebrated lithograph on porcelain panels called ANGEL HEART in Royal Academy during Summer exhibition.
10 June — 12 August 2019
Daily 10am – 6pm
Friday 10am – 10pmhttps://www.royalacademy.org.uk/exhibition/summer-exhibition-2019

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Sculptures by Esther Neslen

We have been firing more work Esther Neslen’s collaborative work
These pieces were produced by school and nursery children under skilful supervision by artist Esther. Here they are downstairs ready to be taken away for assembling. 2 out of 10 human-size persons. Brilliant and challenging project!
Check out more Esther Neslen’s work here www.estherneslen.co.uk
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Fredrik Andersson in New Art Projects

Delighted to share information about Fred’s next show. We have been working with Fred for 2 years of him being based in our studio. Come down to New Art Projects to see his new show alongside Dylan Meade and Sue Tilley.
Fredrik Andersson is a ceramicist and illustrator who makes colourful ceramic pieces about homo eroticism and desire, since graduating from university he has regularly shown his ceramics and is stocked by Liberties of London. He has also worked with and run projects with Positive East, and The Outside Project. During the Transformations exhibitions by Dylan Meade and Sue Tilley, Andersson will exhibit some unique ceramic pieces and examples of his contemporary take on sgraffito entitled “graffito”.
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Ceramics by Sandra Lane at Sim Smith Galley

What Kind Of Spirit Is This?
02 May – 01 June 2019
The inaugural show at the gallery, this exhibition casts a celebratory and inquisitive eye over painting today. Combining original work by eight artists concerned with employing paint to express their own particular narratives, this exhibition centers on the power of painting in the digitally connected 21st Century.
Curated by one of the artists on Smith’s roster, David Surman, the exhibition asks the question “Why paint? Who needs painting?” in a world that seems to have evolved so far beyond the medium in terms of artistic possibilities.
The exhibition features artworks from Matija Bobičić (b. 1987, Slovenia), Tim Garwood (b. 1984, UK), Kate Groobey (b. 1979, UK), Aly Helyer (b. 1965, UK), Doppel Kim (b. 1985, Korea), Sandra Lane (b. 1954, UK), Jonathan McCree (b. 1963, UK), Daisy Parris (b. 1993, UK), Maïa Régis (b.1995, France).
Featuring paintings and painted ceramics, the works pursue an array of ideas from the historical and architectural to human existence and identity. The challenges and interplays of paint are seen through visceral brushstrokes in a preoccupation with surface in some works and with subject in others. Some subjects are crudely drawn and almost childlike whilst others dissolve and disappear under layers of texture. Gestural figuration to total abstraction, the paint transforms, delights and teaches us about this new energy in a snapshot of the quality of the painting landscape today.

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Next ceramics glazing workshop
Our next ceramics glazing workshop will be on the 29 June 2019.
We are pleased to see more and more students who came to our studio for Throwing on Potter’s Wheel workshops being interested in learning how to glaze pottery, and achieving really nice results during the glazing workshop. Figuring out glaze and teaching this process can be complex, and we are proud to have figured out how to make these workshops a good place for those who are trying ceramics for a first time.
Due to popular demand we are scheduling one more workshop for this summer on 29 June 2019.

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People’s Pottery Class – Spring Term Bookings 2019

People’s Pottery – Spring Term Dates 2019
Tuesday Evenings: 30 April – 16 July 2019
Thursday Mornings: 2 May – 18 July 2019
Thursday Evenings: 2 May – 18 July 2019
Saturday Mornings: 27 April – 13 July 2019
Please book your places in advance to avoid disappointment, however if you missed out on the class you are interested, get in touch to be added to the mailing list or in case someone drops out.
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The Voice of Domestic Workers

New classroom display
These pieces were made at the workshop with The Voice of Domestic Workers we co-organised with Cubitt Gallery.
The Voice of Domestic Workers is an education and campaigning group for justice and rights for Britain’s tens of thousands foreign domestic workers that work for the wealthiest residents of London. Apart from providing support to individuals in difficult situation the group seeks to end discrimination and protect migrant domestic workers living in the UK by providing or assisting in the provision of education, training, healthcare and legal advice.
At the workshop we made and decorated simple terracotta pots, listened to the stories and shared a Malaysian rice cooked by Yasmin, one of the domestic workers. One can read group’s slogans and names of the participants on the pots that carry their presence and mood as a group. We are privileged to have met the group and to host their work in the studio while they are patiently waiting for it. We hope these pieces may inspire you making your own pottery and sculpture differently.
Visit their website to find out more about their work and help us support them.
www.thevoiceofdomesticworkers.com

The workshop is a part of Structures That Cooperate: Get Paid! curated by Louise Shelley, and is supported by Arts Council England and Outset Contemporary Art Fund.
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Our plates in local restaurant

You can now see plates made in collaboration by coop co-founders Anna and Tatiana in the local park cafe Festa sul prato in Folkstone Gardens, New Cross. We are pleased to be delivering the last part of this commission, and it is a great pleasure to see our wares in use in our neighbourhood, and just a few minutes away from the cooperative studio.
Great thanks to restaurateur Martin Hoenle, and Festa team.
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Structures That Cooperate: Get Paid! Open till February 24

Structures That Cooperate: Get Paid! installation view, Cubitt Gallery, 2019.
Photography by Mark Blower, courtesy of Cubitt Artists. -
Cubitt> Structures That Cooperate: Get Paid! 18 Jan–24 Feb 2019
We are delighted to participate in Structures That Cooperate: Get Paid! in January 2019. Please see the copy of the information from Cubitt, and check out the special programme website for more information.

Structures That Cooperate: Get Paid!
Private View: Thurs 17 Jan 2019
6.30–8.30pmCultural Capital Cooperative Object #2 (CCCO#2) produced by artists Nikita Gale, Candice Lin, Sidsel Meineche Hansen, Nour Mobarak, Blaine O’Neill, and Patrick Staff, Black Obsidian Sound System (B.O.S.S) and Ceramics Studio Co-op and events with COOP Fund and Cooperative Lunch #2 hosted by Cooperativas de Alimentos
Open: 18 Jan–24 Feb 2019, Wed–Sun, 12–6pm
Events:
Cooperative Lunch #2 hosted by Cooperativas de Alimentos: Sun 24, Feb 1–3pm
COOP Fund: Sat 16 Feb, 3–5pmStructures That Cooperate reopens for 2019 with a second configuration of the space designed by Mexico City-based artist Clemence Seilles. It will host newly installed work in the gallery and an ongoing public programme under the title Get Paid!
Structures That Cooperate: Get Paid! presents artworks, events and projects operating with politicised models of economy and organisation. These include Cultural Capital Cooperative Object #2 (CCCO#2) a cooperatively produced and owned film by produced by artists Nikita Gale, Candice Lin, Sidsel Meineche Hansen, Nour Mobarak, Blaine O’Neill, and Patrick Staff amplified by the Black Obsidian Sound System (B.O.S.S) installed alongside works from the Ceramics Studio Co-op, London.
In continuation of a format established in October, where Cubitt’s gallery is used for an extended schedule of events, commissions, research and exhibitions, Get Paid! will present work across several formats and timeframes
For a 12-month period Cubitt will be licensing the CCCO#2 film as a process of dialogue and support of the Cultural Capital Cooperative group. CCCO#2 will be installed in the gallery for Get Paid! inviting Black Obsidian Sound System to amplify the sound of the film for the opening night. Black Obsidian Sound System is a collectively made and owned sound system established in the summer of 2018 with the intention of bringing together a community of queer, trans and non binary people of colour involved in art, sound and radical activism.
After CCCO#2’s public installation in the gallery, the film will be available to view at Cubitt by appointment until December 2019, alongside a template of the CCC license agreement. This agreement will be made available as a free download from the Cubitt website as a resource for others, to be adapted and used in support of future cooperative art production.
Into this context, Get Paid! invites another cooperative, Ceramics Studio Co-op an artist-run worker co-operative in south London. Ceramics Studio Co-op will present a selection of works for sale by its members and, as part of a longer term conversation, are working with The Voice of Domestic Workers towards the production of a new collaborative ceramic work for sale later in 2019.
Ongoing collaborations include working with Clemence Seilles on the scenography of the gallery space, The Voice of Domestic Workers in residence, Schooling & Culture at AMSI and research with W.A.G.E.
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Structures that Cooperate is a programme of projects that began October 2018 that talk to Cubitt’s context as an artist-run co-operative. It is a call to question default approaches to programming a gallery space, looking instead to collective formats, imaginaries and realities.
Projects and artists who will feature in the 2019 programme include: Ain Bailey, Lucy Clout, Deborah Findlater, Aya Haidar with The Voice of Domestic Workers and Women for Refugee Women, Adelita Husni-Bey, Schooling & Culture with Arts and Media School Islington, Serena Lee, W.A.G.E, Cubitt’s Education programme and more to be announced.
This exhibition is supported by Arts Council England and Outset Contemporary Art Fund.
